Student Summer Research Residencies

Maurice Bailey and Nik Heynen

Annual calls are issued for faculty to lead undergraduate and graduate student place-based studies each academic year, which will be embedded in courses offered at UGA and partner institutions. Workshops will also be offered, which will be available more broadly.

 

Summer 2022 Residencies: Land, Liberation, and Justice

Residential Week: June 2-7, 2022

 

March on Washington

Marchers with signs at the March on Washington, 1963, Original black and white negative by Marion S. Trikosko. Colorized by Jordan J. Lloyd. Library of Congress Prints and Photographs Division, https://www.loc.gov/item/2013648849/, Photo by Unseen Histories on Unsplash

Workshop on the Fifteenth Amendment

Mr. Charles S. Johnson III,  Chair, Board of Directors, Georgia Budget and Policy Institute; and Retired Vice President and Counsel for External Affairs, Tuskegee University

cjohnson@tuskegee.edu

Many believe that American democracy is most representative when every person has the ability to cast their ballot and make their voice heard in the political process. However, neither the original Constitution nor the Bill of Rights nor any other provision of the Constitution expressly guarantees the right to vote. The Framers of the U.S. Constitution left it to each state to determine who qualifies as a voter. Throughout the nation’s history, states would exercise this power to exclude African Americans.

The Fifteenth Amendment was adopted after the Civil War to prohibit denying the right to vote on the basis of race. Following the adoption of this amendment, however, the United States Supreme Court intervened in a manner which vastly eroded the amendment’s effectiveness. The Court’s intervention enabled the curtailment of voting access by means of rampant voter suppression. Poll taxes, literacy tests, and other hurdles were implemented that intentionally discriminated against African Americans. As a result of these devices, despite the adoption of the Fifteenth Amendment, African American voting in the South was kept at extremely low levels until the passage of the Voting Rights Act in 1965.

Through review of primary and secondary historical material and pertinent court decisions, we will examine how, when viewed through the lens of this history, the court’s recent action in g limiting the effectiveness of the Voting Rights Act may be seen as part of a larger trend.

 

Sapelo Island Spanish Fort

Historic American Buildings Survey, Creator. Spanish Fort Ruins, Sapelo Island, McIntosh County, GA. Documentation Compiled After Photograph. https://www.loc.gov/item/ga0334/.

ENGL 110: “Pick[ing] up a camera” and Capturing Truths about Race, the Environment, and Social Justice

Dr. Valerie Frazier, Associate Professor, Dept. of English, College of Charleston; Director, 1967 Legacy Program

frazierv@cofc.edu

In this class, we will discuss how to re-envision literature classrooms through connecting the study of race and textual analysis with smartphone photography. Students across disciplines increasingly will use their smartphones as avenues of storytelling about race, class, the environment, and social justice advocacy. Students will begin to see their worlds in new ways, using their camera lens much in the way of Gordon Parks, who once said, “I picked up a camera because it was my choice of weapons against what I hated most about the universe: racism, intolerance, poverty.” Smartphone photography and literature help open up conversations in the classroom about race, the natural environment, and systemic racism.

Students will be inspired by a cross-section of literary texts about race and photography by authors like Alice Walker, Eudora Welty, bell hooks, and Maxine Hong Kingston. Juxtaposed with photography by Ming Smith, Gordon Parks, Ruddy Roye, Flo Ngala, and Devin Allen, the writings will encourage students to take their social justice photography to new heights, particularly inspired by the bountiful natural setting of St. Helena Island and Penn Center. We will also focus on the legacy of Civil Rights photography that includes the work of Cecil Williams, Leonard Freed’s series Black in White America, Ernest C. Withers’ photographs of the Sanitation Workers’ Solidarity March in Nashville, and Charles Moore’s documentation of police brutality during the 1963 Birmingham Children’s Crusade. This class, centering on literature, race, the environment, and smartphone photography, will give students an opportunity to photograph the world around them and make a living, organic record of the multicultural history in their midst.

 

SANT 430: Special Topics – Black Food Geographies (Spelman College)

Dr. Nik Heynen, Distinguished Research Professor, Dept. of Geography, University of Georgia

nheynen@uga.edu

This class will explore the multifaceted dimensions of Black food geographies. Of especial focus will be themes including land and food justice, land theft, food sovereignty, food movement mobilization, reparations, and the ongoing importance of abolitionist politics for Black food geographies. The class will use a long-term partnership with Saltwater Geechee residents of Sapelo Island working on an agricultural revival amidst the pressures of development, sea-level rise and cultural genocide.

Course objectives include: to increase students’ geographic literacy generally; to increase students’ understanding and imagination related to Black Food Geographies specifically; to contribute to students’ ability to interpret information about the interrelated and interconnected power relations connected the long history of Black Food Geographies; to introduce/extend students’ knowledge about the Gullah/Geechee culture as connected to Black Food Geographies; and to introduce/extend students’ experience with the significance of Gullah/Geechee culture as connected to Black Food Geographies through visiting Sapelo Island.

 

Indigo Plants, Ossabaw Island, Georgia

Indigo Plants, Ossabaw Island, Georgia, Courtesy of Dr. Barbara McCaskill

Workshop on Liberation Farming, Indigo and Community Economic Development

Mr. Maurice Bailey, Director, Save Our Legacy Ourself (SOLO), Hog Hammock, Sapelo Island, and Dr. Nik Heynen, Distinguished Research Professor, Dept. of Geography, University of Georgia

nheynen@uga.edu

Indigo is a flowering plant that has over 750 species and has been grown by farmers for more than 4000 years. Some of the earliest instances of indigo cultivation go back to ancient Aztec shamans and Egyptian pharaohs who used the plant for magic and ritual purposes. One of the first written references of the plant was written by Marco Polo, who saw it when visiting southern India in 1298.

In 1744 Eliza Lucas helped usher in a new moment in the colonial circulation of indigo and shape Lowcountry geographies when she grew the plant and processed it to make the dye from her father’s plantation outside of Charleston, South Carolina. Lucas exported six pounds of what she called “Carolina Indigo” to England. Because of the attention it received by London elites, the British government offered a bonus of six pence per pound of indigo in an attempt to incentivize export production from the Lowcountry. As they hoped it would do, indigo saw a meteoric increase in its export from six pounds in 1744 to 5,000 pounds in 1745. Just a decade later, growers in Carolina Colony were exporting approximately 200,000 pounds yearly.

In 2018, UGA’s Cornelia Walker Bailey Program on Land and Agriculture, co-directed by Maurice Bailey and Nik Heynen, entered into a partnership with the International Center for Indigo Culture (ICIC) and the State Botanical Garden at the University of Georgia (SBG) to re-introduce indigo on Sapelo Island. This effort is now being led by the Sapelo Island based non-profit, Save Our Legacy Ourself (SOLO), which Bailey directs. Together we are working to grow heritage crops, like indigo, for the sake of economic development within Sapelo Island’s Hog Hammock community. This workshop will discuss how the Lowcountry and Georgia’s Barrier Islands have been shaped by indigo, and how community economic development based in liberation farming is working to transform this history to benefit the Gullah/Geechee descendants whose ancestors allowed indigo to blossom through their forced laboring. We will also work through the harvesting and indigo dye-making process with Sapelo- grown indigo plants.

 

Dr. Barbara McCaskill’s Vegetable Garden, Spring 2021

Dr. Barbara McCaskill’s Vegetable Garden, Spring 2021

ENGL 4960R: Land as Liberation in the African American Freedom Struggle

Dr. Barbara McCaskill, Professor, Dept. of English; Associate Academic Director, Willson Center for Humanities and Arts, University of Georgia

bmccaski@uga.edu

Land is a through-line that has linked Black Americans across the liberation struggle from slavery to now. It also has served as a flashpoint for protest against social and environmental injustice and for launching antiracist, environmentally sustainable communities. The role of rural Black communities in the freedom struggle is too often dismissed as secondary to the advocacy of national organizations and as muted in comparison to activism accomplished in urban spaces. Through multidisciplinary discussions of literature and film and a final week’s learning residency at the Penn Center National Historic Landmark, we will discover the many ways in which Black southern farmers and Black farm communities of the rural South have played vital roles in identifying and protesting racial inequities, shaping policies for social change, shaping a relationship between land and culture, and advancing land ownership as a central component of the freedom struggle.

Informed by the writings of Monica White, Leah Penniman, Eric Holt-Giménez, Margaret Marietta Ramírez, and others, we will spend the first week of this course discussing specific ways in which Black southern farmers and farmlands have informed by and been inosculated with grassroots organizing and social justice movements, including William and Ellen Craft’s Reconstruction-era Woodville Farm School outside of Savannah; the Freedom Farm Cooperative established in 1969 in Sunflower, Mississippi by Fannie Lou Hamer; Shirley and Charles Sherrod’s New Communities, Inc. collective farm created in Albany, Georgia in 1969; and the interracial Koinonia Farm founded by Rev. Clarence Jordan in 1942 outside of Americus, Georgia. During the second week we will examine Gloria Naylor’s Mama Day (1988), set on fictional Willow Springs, an African American island town off Georgia and South Carolina; Randall Kenan’s If I Had Two Wings: Stories (2020), set in the fictional Black community of Tims Creek, North Carolina; and Octavia Butler ‘s Parable of the Sower: A Novel (1993), set in a dystopian 2025 landscape altered by climate change; as well as documentary film that links land to African American’s political struggle and cultural survival. At Penn Center, we will study its role as a planning site for Dr. King, John Lewis, Andrew Young, and other members of the Southern Christian Leadership Conference and Student Nonviolence Coordinating Committee. We will study its function as a Freedom School, led by civil rights activist Septima Clark, to educate Black community members about the vote, civics, American history, and meanings of citizenship.

 

Summer 2023 Residencies: Community-Engaged Traditions And Practices

Residential week: TBC

 

Penn Center, St. Helena Island

Penn Center, St. Helena Island, South Carolina. Photo by Eric Muhr on Unsplash

Community-Driven Archives Methods and Practices

Ms. Chaitra Powell, Curator, Southern Historical Collection, Wilson Special Collections Library, University of North Carolina-Chapel Hill, and Ms. Brianna McGruder, Teaching Assistant, UNC-Chapel Hill

Since 1962, Penn School archival materials have been housed at the Southern Historical Collection, part of the Wilson Special Collections Library with the University of North Carolina at Chapel Hill Libraries. The upcoming sixtieth anniversary of this relationship offers an opportunity to revisit it through the lens of the lessons learned from our recent community driven archives grant to collaborate and co-create with the community in a variety of ways.

In this course, students will learn about and engage with the history of the Penn Center collections at Wilson Library, before travelling to St. Helena Island, South Carolina to engage with community stakeholders and review archival materials in Penn Center buildings. Students will learn about community-driven archives methods and practices in collaboration with the Penn Center and in support of the Center’s mission to preserve Gullah Geechee history and culture through their archives.

The Penn School was founded in 1862 on St. Helena Island, one of the first schools in the South for formerly enslaved West Africans. In 1948, Penn School transitioned into Penn Community Services, taking on the mantle of social justice and ushering in the Civil Rights Movement of the 1960s with Dr. Martin Luther King, Jr. and the Southern Christian Leadership Conferences. In 2017, the Penn Center was anointed as a Reconstruction Era National Monument. Currently, the Penn Center continues to preserve and celebrate Gullah Geechee history and culture through community education, engagement, and programming.

 

Midwifery and Medicine Traditions

Dr. Seretha Williams, Professor and Chair, Dept. of English and World Languages, Augusta University

Women have always been healers. They have been nurses, midwives, herbalists, therapists, and conjurers. Yet, some women have been persecuted for their healing work. Communities, religious institutions, and the medical establishment have viewed women healers as a threat and labelled them as quacks and witches. Their folk knowledge and remedies have been dismissed as old wives’ tales. Their practices have been deemed dark magic. However, in literature, women healers are often celebrated as wise women who tend to the physical and psychic well-being of their communities. The woman healer is thus more than an archetype or trope. In this course, we will reconsider the healer and the role of healing in fiction. Margaret Walker’s Jubilee (1966), Toni Cade Bambara’s The Salt Eaters (1980), Gloria Naylor’s Mama Day (1988), and Julie Dash’s Daughters of the Dust (1991) will serve as cultural artifacts and touchpoints for our reconsideration of healers.

Our reconsideration also will be informed through our study of midwifery in South Carolina. The December 3, 1951 issue of Life magazine included a photographic essay on the topic of nurse midwives. W. Eugene Smith’s essay focused on the work of Maud Callen, a nurse midwife hired in 1935 by the Division of Maternal and Child Health to supervise midwives in rural South Carolina (Lisa Ennis, SC Encyclopedia, 4/15/16). At Penn Center, Callen established the Midwife Training Institute with Dr. Hilla Sheriff, where lay midwives earned licenses for participating in formal medical training (Ennis). According to the Medical University of South Carolina, in 1950 alone, approximately one hundred state licensed grand midwives assisted in more than fifteen thousand births in the state (Bonds, Medical University of SC, 2/25/21). Callen, whose career as a registered nurse and licensed midwife began in 1923, served Berkeley County, SC and the surrounding area for five decades. She provided care and educated the lay midwives who were usually the only medical resource for rural African Americans.

Callens’ work with midwifery will serve as a theoretical underpinning for our exploration of medicine traditions and healing in African American women’s fiction. We will also investigate the folk healing practices of rural Georgia and South Carolina. The intention of our research is to understand the value and the values of African American healing practices.

 

Tabby Cabins, Ossabaw Island, Georgia

Tabby Cabins, Ossabaw Island, Georgia. Photo Courtesy of Dr. Barbara McCaskill

Building an Expanded Archive

Dr. Valerie Babb, Andrew W. Mellon Professor of Humanities, Depts. of English and African American Studies, Emory University

As part of the Culture and Community at the Penn Center National Historic Landmark project, this course will explore the significances of archives, their accessibility, their sustainability, and their relationships to social justice efforts.

We will begin our course investigating Emory University Rose Library’s holdings of the papers of the Southern Christian Leadership Conference, Rev. C. T. Vivian, and the Southern Regional Council to consider the impact of remembrance, documentation, and social justice on the forms that archives take. We will contemplate how the arc of an archive reflects changing societal values and temporalities and ask: What might a social justice archive look like? The second portion of the course will be held at the Penn Center, St. Helena Island, South Carolina, a site whose illustrious history includes housing the former Penn School, one of the earliest educational institutions for the newly freed. The Penn Center also hosted the Southern Christian Leadership Conference, the Congress of Racial Equality, the Student Nonviolent Coordinating Committee, and the NAACP as these groups planned their civil rights tactics. Portions of Rev. Martin Luther King Jr.’s “I Have A Dream” speech for the August 28, 1963 March on Washington for Jobs and Freedom were discovered in a Penn Center cottage named for Hastings Gantt, the formerly enslaved man who was ultimately able to donate fifty acres to found the Penn School. While onsite we will consider how archives shape social narratives and the ways in which different cultures rewrite these through the creation of their own archives. We will participate in the ongoing Penn Center initiative “Broadening Narratives” that seeks to augment its York Bailey Museum and extend preservation of Reconstruction history and Gullah Geechee culture.

In addition to coursework, students will participate in scheduled arts expositions, performances, and community conversations on subjects such as land use and environmental education, heirs’ property rights, and sacred spaces.

 

THEA 5630/7630: Devising the Archive at the Penn Center

Dr. Emily Sahakian, Associate Professor and Undergraduate Coordinator, Dept. of Theatre and Film Studies, and Associate Professor, Dept. of Romance Languages, University of Georgia

This course builds on a class I will lead during Spring and Maymester 2023, titled Community-Based Theatre (THEA 5710/7710S). These classes will work with archival materials of the Penn Center Collection at the University of North Carolina at Chapel Hill and other resources to begin to script a community-based theatre piece — an activist form of theatre used to foster civic engagement, dialogue, and community problem-solving —focused on the educational roots and legacy of Penn Center. Informed by the critical pedagogy of Paolo Freire, who advanced the idea of education as a liberatory and empowering practice (Pedagogy of the Oppressed, 1968) and Augusto Boal’s adaptation of Freire’s ideas to the theatre (Theatre of the Oppressed, 1974), and working with original archival documents from the Penn Center Collection at the University of North Carolina at Chapel Hill, the University of Georgia’s Special Collections Libraries, historical newspapers databases, and other resources, Spring and Maymester 2023 students will devise theatre scenes that share the Penn Center’s fascinating activist history, while dramatizing questions that continue to pervade interracial, antiracist efforts, such as: What constitutes an antiracist education? Who decides what content is valuable, and who benefits from it? How can we use theatre to celebrate, share, and extend the Penn Center’s history of civic activism and social justice? They will obtain feedback from a focus group of St. Helena Island and Sea Island community members land staff at the Penn Center.

During this Summer 2023 course residency, students will continue to devise scenes, work from the archives, and solicit insights and input from the community focus group. Inspired by the writings of Paolo Freire, bell hooks, Augusto Boal and others, they will practice a theatre that educates audiences and provokes thought. Their community-engaged theatre can be understood as a form of service; they will present a scene or two from the evolving performance to community members during their residence.

 

Summer 2024 Residencies: Inner Transformation, Outer Engagement

Residential week: TBC

 

Poor People's Campaign button

Photo by The New York Public Library on Unsplash

AFAM 4250/RELI 4900: African American Religion and Retreat in the Work of Dr. Martin Luther King, Jr.

Dr. Carolyn M. Jones Medine, Professor, Dept. of Religion; Professor and Director, Institute for African American Studies, University of Georgia

This course will examine African American religions in two ways: first, through the examination of slave religion, using Albert J. Raboteau’s classic text, Slave Religion: The “Invisible Institution” in the Antebellum South as a baseline; and second, through an examination of the uniqueness of the Gullah/Geechee Religious World, using such texts as Cornelia Walker Bailey and Christena Bledsoe’s God, Dr. Buzzard, and the Bolito Man: A Saltwater Geechee Talks About Life on Sapelo Island. Having laid this foundation, we will turn to Dr. Martin Luther King, Jr. and his spirituality, reading selections in Victor Anderson and Lewis Baldwin’s Revives My Soul Again: The Spirituality of Martin Luther King, Jr. (2018). We will explore King’s relationship with the Penn Center and his deployment of the model of religious retreat for spiritual formation, for rest and revitalization, and for planning political action.

Retreat is a feature of the monotheistic religions, whose founders, like Jesus and Muhammed, entered the wilderness for prayer and clarification. In the Black church tradition, revival — in some churches, held outside the church building —remind us of the bush harbor: structuring a concentrated period of preaching and reflection that deepens the understanding of scripture, for example, that marks an inward change leading to outward work. We see the church in Montgomery, Alabama, for example, function in this way during the bus boycott. Students will search the King papers, including the Morehouse College King collection, the Stanford University Martin Luther King, Jr., Research and Education Institute, and other sources, to develop insights on how King understood the practice of retreat and on what significant actions of the Civil Rights Movement were influenced by time in retreat, particularly at the Penn Center where a retreat cottage was built particularly for Dr. King.

 

ENG 360: Topics in Africana Literature/ Cultural Studies: Water in the Folklore, Culture, and History of the Gullah Geechee People (*course cross listed with Africana Studies)

Dr. Corrie B. Claiborne, Associate Professor of English, Morehouse College, and Co-P.I., “Movement, Memory, and Justice: Building a Humanities Cultural Heritage Curriculum for Liberation” (Mellon Foundation)

This course investigates how a spirit of rebellion has created a space, as Ras Michael Brown says, “where the land of the living and the land of the dead are the same.” In Brown’s work African-Atlantic Cultures and the South Carolina Lowcountry, he outlines how the folklore and spiritual practices brought from the Congo-Anglo region live to tell the story of how the Gullah resisted subjugation and how these stories often follow the water. Indeed, in song, literature, written and oral history, and in the industries that the Gullah people engaged in around the sea islands we see traces of how water and maritime life functioned as a guiding and organizing touchstone. More specifically, we will look closely at the folklore that surrounds certain waterways like the Pee Dee, Santee and Combahee Rivers and how water functions, in general, as a pathway to freedom.

Students enrolled in the ENG 360: Topics in Africana Literature/ Cultural Studies special topics course will read, analyze, and interpret major works about and by people from the 180 square mile area that stretches, roughly, from Wilmington, North Carolina to the Florida coast and comprises the Gullah homeland. This area, particularly around the Georgia and South Carolina Sea Islands serves as a rich repository of African Diasporic Culture and offers an opportunity to study permutations of certain African traditions, language, and aesthetic practices throughout the American cultural landscape. Representative historical, cultural, sociological, linguistic, and literary works from the antebellum period until the present will be read and discussed. We will be engaged in anthropological activity both in and out of the water itself and we will take trips to both Wormsloe Experiential Learning Center and Hilton Head Island, SC.

 

THEA 5630/7630: Devising the Archive at the Penn Center

Dr. Emily Sahakian, Associate Professor and Undergraduate Coordinator, Dept. of Theatre and Film Studies, and Associate Professor, Dept. of Romance Languages, University of Georgia

This course continues work on the performance of 2023. Students will conduct workshops on community-engaged theatre with middle- or high-school students at a local school where there may be limited drama classes and/or a strong desire among the students to participate in theatre. The middle-school or secondary students will be encouraged to adapt the performance that the University of Georgia students have devised and to co-create new scenes to address issues they face.  At the end of the week of course residencies, they will perform a scene they have written or adapted at the Penn Center for an audience consisting of classes and community members. The University of Georgia students will also present a public performance of their community-engaged theatre project initiated in 2023.

 

Spring 2025 Residencies: Lowcountry Stories and Storytellers

Residential week: TBC

 

Altamaha River, Darien, McIntosh County, Georgia

Altamaha River, Darien, McIntosh County, Georgia. Courtesy of Dr. Barbara McCaskill

Workshop on Matriarchs of the Coast: Amplifying the Voices and Stories of Women from South Carolina and Georgia Lowcountry

Dr. Mona Behl, Associate Director, Georgia Sea Grant, University of Georgia

In many traditional and indigenous cultures, women are the principal custodians of the cultural traditions embodied in folklore, arts, crafts, food, and music. However, the stories of women often go unnoticed and unrecorded. The goal of this workshop will be to uplift the voices, experiences, and identities of women in the South Carolina and Georgia Lowcountry who have helped conserve, preserve, and sustain our coastal heritage, culture, and environment. This workshop will showcase the stories of select women from this region, their unique struggles, and accomplishments. A few representative examples include Belle Baruch, Cornelia Bailey, Sandy West, Lucy Carnegie, Queen Quet, Dionne Hoskins-Brown, Sarah Ross, Carol Ruckduschel, among others. This event will mark the culmination of an oral history project that engages students and professionals in gathering and interpreting information related to the backgrounds and lived experiences of women from the South Carolina and Georgia Lowcountry.